Regardless of the software, the audio mix criteria transcend this issue. The first thing you need is to make a levelling of all the tracks, this is what would be called a raw audio mix. It is customary to perform an automation levels overall. Subsequently it is advisable to locate the audible material on the horizontal axis, i.e. perform the panning.
In where some elements will be at the Center (the sound by two monitors in equal intensity), other sounds could be located to the left or right of way drastically or subtly. The following would be examples in mixing audio to pan. Suppose a format of a rock band of battery, two electric guitars (one rhythmic and one alone or melodic), electric bass, lead vocals and 3 voices as choir, keyboard. Lead vocals: 12 (i.e. to the Center) electric guitar solo: to 12 to 1 or 11 (slightly towards left or right) rhythmic electric guitar electric bass: 12 keyboard: as opposed to the electric guitar at 5 or 11 (to achieve balance with guitars) voices of choir: spread evenly 1 voice at 2, the second voice at 3 and the third voice at ten o’clock. Battery: Bombo Center 12, snare or box at 12, hi hat at 11 or 1 (depending on the perspective that you want to handle), overheads or dishes depending on the perspective.
Techniques to pan battery in mixing audio there are two perspectives to the panning, 1. Perspective of the audience 2. Perspective of the musician taking into account the perspective of a right-handed drummer the panning location would be as follows. To the Centre: bass drum, snare, or right box: hi hat, tom left, left crash: Ride, tom 2, floor tom. Otherwise it would be for the perspective of drummer (drummer perspective). Subsequent to the panning is important to follow re leveling signal and correcting automations. Dynamic processors would be the next step forward in mixing audio with noise gates (or gates), this is necessary to relate to instruments with each other dynamically. Compressors can also help in a surprising way to achieve a good mixture of audio and have a mooring of instruments, giving one of them a more or less thick sound. This allows us to have control of the sound, and so handling it properly. Ringer processors would be the next step in audio mixing, through filters that build the equalizer. It is highly recommended to do so with a parametric EQ 4 bands. With this we can sculpt the sound masterfully. It is important not to abuse these processors, since there is a risk of unwanted results. Space delays and reverb processors would be the next step in the audio mixer where it is imperative to spatially locate different sources of sound. All these steps of mixing audio must be carried out in a very careful manner, and each step should be checked after the previous stages, since any change results in a mismatch of other steps. If you want to make mixture You must be very patient, sometimes even notice the changes, but until the end, you will feel without any direction, and when less you think you will have a great mixed product.