Justice determined today that the parents who if to refuse to leave risk areas (landslides, floodings, etc) they will have to deliver its children to the advice to tutor. Very interesting this question between the public and the private one. The person has the right to take off its proper life, but not it of the others. Funny, that of the legal point, all we have the right to commit a crime. If you are not convinced, visit Viacom. All we are capable to commit it. The unknown one of this question is the prevention to the delict. If you have additional questions, you may want to visit Peter Asaro . But if we will be to extend all this question, when a person if denies to leave a risk area, as it is imputed legally in the case of a catastrophe in the place? Who paid a counts of this decision? Here a next quarrel is presented very: of the responsibility and the authority, very expensive the psychoanalysis.
Simple, because another form of speaking on the society of right-handers, would be to say that we have a series of authorities, but already the responsibility I explain: a father has the authority on its son, and theoretically responsibility (or vice he turns). Today justice determines that this trick has limits (as comes making the times) and says? ' ' It sees Sir father, its authority cannot go beyond the interest of the child, who is at least, sobreviver' '. I believe that this example would have to be a little more radical? it is not of the social interest that nobody dies in a risk area, and I believe that this decision would always have to be technique, thing that who is at risk does not have conditions to take. In more as it is of custom in the Brazilian culture, the guilt is always of the State.
Evolution Branch of the Seine near Giverny, Claude Monet Berge in der franz sischen Provence (1878-1880), Olive Trees Paul C zanne, Vincent Van Gogh Un dimanche apr s-midi l’Ile de la Grande Jatte, Georges Seurat’s painting precursors modern movement had begun in the nineteenth century, which are represented by Impressionism Claude Monet, post-impressionism, with authors such as Vincent Van Gogh and Paul C zanne and Neo-Impressionism, which is within the pointillism of Georges Seurat. Then begin starting from 1900, new paintings by painters and precursors, also derived from modern painting movements, and that will lead to the first contemporary paintings. The historical avant-garde that emerged in the early years of the twentieth century Fauvism, Cubism and Futurism. Henri Matisse Fauvism begins with the first controversial pictorial, with the use of color in their pictures placed so ambiguous.Pablo Ruiz Picasso and Cubism figures distort reality, creating flat shapes with them and not volumes, and as manipulated before being painted. Use collage, using elements and materials mostly extra scraps of paper (newspaper) glued together with the painting created. Derived from Cubism and other movements of Am d e purism Orphism Ozenfant and Delaunay and Kupka. In the interwar period came first, expressionism, as is prevalent in the Nordic countries, Germany and Austria. Up to three generations of expressionist painting developed a representative and committed to the reality. Within a movement of the second generation expressionist Der Blaue Reiter are Vasily Kandinsky and Paul Klee, that led to the abstraction. In fact, Vasily Kandinsky, abstract painting, representing the inner self and thought, and it was only possible through non-figurative forms.Another trend within the neo abstraction is represented by Piet Mondrian, who created a new form of non-figurative abstract painting, using elements and geometric figures. The Russian Revolution also had an immediate artistic expression in movements such as Suprematism and Constructivism, before settling socialist realism. In the interwar period there is a line of paint that give more rein to fantasy, the irrational, dreamlike. There were precursors, such as Henri Rousseau and Marc Chagall. Within this trend may be mentioned metaphysical painting of Giorgio de Chirico. Marcel Duchamp, given art represent real objects of everyday life as purely artistic forms. Surrealism, a trend that pervades the arts in the 1920s, also has its pictorial expression, differentiating between the abstract and surrealist Joan Mir and Ren Magritte as figurative.After the Second World War, the center of the pictorial world moves from Paris to New York, which thereafter becomes the center of the visual arts. There arose the power of Abstract Expressionism,